大理大学学报
• 文化-艺术 • 上一篇 下一篇
颜晓星
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Yan Xiaoxing
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摘要： 以《从毛泽东到莫扎特》和《音乐的交会：斯特恩重回中国》为例，研究“自我反映”理念在米勒音乐纪录片的表现：音乐 理念改变音乐纪录片叙事策略；视觉文化认知在音乐纪录片的反映；音乐纪录片的剪辑体现人情美、节奏美、韵律美。
Abstract: Taking From Mao to Mozart and Isaac Stern Returns to China as examples, this paper studies self-reflection in Murray's musical documentaries, and finds out that concepts of music can change the narrative strategies and the reflection of visual cultural cognition in musical documentaries, and the editing of the documentaries can reflect humanity, rhythm and rhyme.
颜晓星. 自我反映在米勒音乐纪录片的表现—— 以《从毛泽东到莫扎特》《音交会》为例[J]. 大理大学学报, DOI: 10. 3969 / j. issn. 2096-2266. 2018. 03. 012.
Yan Xiaoxing. Self-Reflection in Murray's Musical Documentaries:#br# From Mao to Mozart and Isaac Stern Returns to China as Examples[J]. Journal of Dali University, DOI: 10. 3969 / j. issn. 2096-2266. 2018. 03. 012.
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链接本文: http://journal15.magtechjournal.com/Jwk_dlxyzk/CN/10. 3969 / j. issn. 2096-2266. 2018. 03. 012
http://journal15.magtechjournal.com/Jwk_dlxyzk/CN/Y2018/V3/I3/73
